One of the running arguments I have with one of my favorite colleagues here in Santa Fe is about whether Mathematics is (or isn't) different from all other intellectual enterprises, such as psychology or philosophy. in that, unlike them, mathematics "adds up," in the long run. Contrary to psychologists and philosophers like me, who are besotted with ephemeral traditions and ideologies, and keep changing the rules of the game, mathematicians have built a structure that is not subject to vicissitudes and whims of intellectual history. (I hope I have represented this argument fairly.) Although I have tried to give him as little comfort as possible, I confess that I have been impressed more and more by this argument as I continue to read accessible works on the history of mathematics.
For this reason, I was startled to find a contrary argument in a powerful book written by the Music Critic of the New York Times, Edward Rothstein on the relation between music and mathematics, EMBLEMS OF THE MIND [Times books, NY: 1995]. I am curious to know what anybody thinks of it. I will key in a brief passage (from page 43-4) below for comment:
Begin quote from Rothstein =====>
"Because context is so important, aspects of mathematical truth may alter over time. ...
.... Paradoxically, this is one reason why so few mathematicians ever study the history of their own discipline. The apparent uniformity of truth through time might seem to suggest that a geometer might as profitably study Descartes as Lobachevsky, or a number theoretician might as usefully read Euler as Hardy. In fact, the language of mathematics today bears so little resemblance in style and form to the languages of the past that it would take a great deal of effort to "translate" the mathematics of the past into contemporary terms. ...
One example of shifting context and the transformation of mathematical styles was discussed by the mathematicians Philip J. Davis and Reuben Hersh in THE MATHEMATICAL EXPERIENCE, [Boston: Birkhauser, 1981]. They present a simple theorem of arithmetic that has been generally known as the Chinese remainder theorem."
<===== End quote from Rothstein.
Davis and Hersh (according to Rothstein) then summarize the presentations of this same theorem in mathematicians from Fibonacci to E. Weiss.
Rothstein now concludes.
Begin quote from Rothstein =====>
"Mathematical style is far more important than it usually seems. It is intimately connected to the essence of mathematical work. It defines conditions and expectations. It presents a set of rules, of course, but it also does something more: it reflects what is considered important at a particular historical moment and shapes the evolution of future inquiries. It resembles, in this way, musical style."
<===== End quote from Rothstein.
So I am wondering: Is this a bridge too far????
Nick