Don,
Thanks, "an age in which designers and architects are drawing their inspiration from hidden patterns in nature " is wonderful to see in the Times, but still missing one of the most obvious of the 'hidden patterns', that growth systems are self-organizing eruptions of change, that *always* loose their independence when running into other things. It's the key observation needed for understanding the natural development of systems, and changes everything. Phil Henshaw ????.?? ? `?.???? ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 680 Ft. Washington Ave NY NY 10040 tel: 212-795-4844 e-mail: pfh at synapse9.com explorations: www.synapse9.com -- "it's not finding what people say interesting, but finding what's interesting in what they say" -- > -----Original Message----- > From: friam-bounces at redfish.com > [mailto:friam-bounces at redfish.com] On Behalf Of Don Begley > Sent: Friday, February 22, 2008 11:05 AM > To: The Friday Morning Applied Complexity Coffee Group > Subject: [FRIAM] The Times on science & design > > > http://www.nytimes.com/2008/02/22/arts/design/22elas.html?_r=1 > &th&emc=th&oref=slogin > > ============================================================ > FRIAM Applied Complexity Group listserv > Meets Fridays 9a-11:30 at cafe at St. John's College > lectures, archives, unsubscribe, maps at http://www.friam.org > > |
I saw this exhibit on Friday and liked it very much. I'm told (I
haven't checked it out myself) it has a terrific website. Pamela On Mar 10, 2008, at 11:46 AM, Phil Henshaw wrote: > Don, > Thanks, "an age in which designers and architects are drawing their > inspiration from hidden patterns in nature " is wonderful to see in the > Times, but still missing one of the most obvious of the 'hidden > patterns', that growth systems are self-organizing eruptions of change, > that *always* loose their independence when running into other things. > It's the key observation needed for understanding the natural > development of systems, and changes everything. > > > Phil Henshaw ????.?? ? `?.???? > ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ > 680 Ft. Washington Ave > NY NY 10040 > tel: 212-795-4844 > e-mail: pfh at synapse9.com > explorations: www.synapse9.com > -- "it's not finding what people say interesting, but finding what's > interesting in what they say" -- > > >> -----Original Message----- >> From: friam-bounces at redfish.com >> [mailto:friam-bounces at redfish.com] On Behalf Of Don Begley >> Sent: Friday, February 22, 2008 11:05 AM >> To: The Friday Morning Applied Complexity Coffee Group >> Subject: [FRIAM] The Times on science & design >> >> >> http://www.nytimes.com/2008/02/22/arts/design/22elas.html?_r=1 >> &th&emc=th&oref=slogin >> >> ============================================================ >> FRIAM Applied Complexity Group listserv >> Meets Fridays 9a-11:30 at cafe at St. John's College >> lectures, archives, unsubscribe, maps at http://www.friam.org >> >> > > > > ============================================================ > FRIAM Applied Complexity Group listserv > Meets Fridays 9a-11:30 at cafe at St. John's College > lectures, archives, unsubscribe, maps at http://www.friam.org > > "Decorative" was one of the most pejorative words that could be said about a painting when I was a young artist....Words like "strong," "powerful," and "tough" were juxtaposed against "pretty," "soft," and "decorative," and these words were loaded with value judgments. I call it the dumb blonde theory of art: if it's beautiful, it can't be intelligent. Joyce Kozloff |
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